国芳の歌舞伎絵 江戸時代の優れた創作は人間力 （動画）YKIYO-E Kuniyoshi's Kabuki Artwork: Outstanding Creations of the Edo Period and Human Power (Video)

日本舞踊 大阪で 初心者体験！　緊張なく 楽し〜いレッスン！

　５月７（木）18時〜20時 　扇町スタジオash アネックス４階にて

　 動ける服装ならなんでもOK！　１時間２０００円・２時間通し３０００円

「綺麗な姿勢もヒップも脚力作りにもバッチリです！」　直接どうぞ！

日本舞踊は歌舞伎の舞踊劇が独立した芸能ですから、切っても切り離せません

浮世絵は、当時の流行りトレンドだけでなく、

人々が社会をどう見ていたかを知ることができます

[ 温故知新 ]

故に、わたくしは、動画とブログでご紹介を続けております

今回は、美人画も優れ「武者絵の国芳」とも言われた才能を存分に発揮した 歌舞伎のシーンを描いた作品を お楽しみになってね

Japanese traditional dance is an independent art form stemming from the dance-drama of Kabuki, and thus cannot be separated from it. Ukiyo-e not only reflects the popular trends of the time but also allows us to understand how people viewed society. [ Review the old and learn the new ]Therefore, I continue to introduce Japan's unique traditions through videos and blogs, based on this historical context.

This time, please enjoy the work of an artist known as 'the country of warriors, Kuniyoshi,' who was not only skilled in beautiful women paintings but also excelled in depicting scenes from Kabuki.

https://youtu.be/JXzKOQWTh6s

　国芳さんの気骨

　アーティスト・作家・職人・庶民 VS 質素を押し付けた江戸の政治

絵も落語も芝居・芸者遊び・スイカも「贅沢だ！」と禁止された悪政に対して、

庶民は、当然、怒りました　

贅沢は過ぎること、として仕方なかったにしても、

芝居や落語まで禁止した意味は理解できませんよねぇ

「権力を持たない庶民であっても、納得できないことには、黙って従わない！」

作家は著書で、歌麿たち絵師は、絵で挑み続けました

庶民はそれを見て読んで、拍手喝采したのでした

　Kuniyoshi's SpiritArtists

writers, craftsmen, and common people vs. the austere policies imposed by the Edo governmentAgainst the tyrannical policies, which banned everything from paintings to rakugo to theater, geisha entertainment, and even watermelon as "luxurious!", the common people were understandably furious. The luxury prohibition orderWhile it might have been inevitable regarding luxury, the reasoning behind banning theater and rakugo is hard to comprehend."Even those without power, the common people, will not remain silent when faced with unreasonable demands!"Writers wrote in their books, and painters like Utamaro continued to challenge the authorities through their art. The common people responded by watching, reading, and applauding.

　国芳！　悪政への風刺　筆頭の一人

1855年（安政2）10月2日【安政の大地震】関東地方は大災害！

国芳は、震災半年後に「安政見聞録」出版

 彼は脳出血・脳梗塞だったけれど奮起したのね

絵師仲間たち＆作家たちとで、被害状況と、

間違った避難を書き留めて、

二度と同じ間違いで、命を落とさないようにする本を出版しました

「今の人は、泰平（平和）の世に馴れきってしまい、昔の人の話を軽んじる。

だが、平和のありがたみを 知らねばならない」

国芳は、温故知新の重要性を訴えたのね

それは、人生経験を詰んだ人なら、今の人でも同意しはるわねぇ

「平和の世に馴れきって、古きを軽んじる」・・・

　　今かて、そんな人は多いんちゃうかな？

On October 2, 1855 (Ansei 2), a major disaster struck the Kanto region due to the Ansei Great Earthquake!Kuniyoshi published the "Ansei Chronicle" six months after the earthquake. Despite suffering from a cerebral hemorrhage and cerebral infarction, he was motivated.He, along with fellow artists and writers, documented the damage at that time and the cases where people died due to mistaken evacuations. They published a book to ensure that people would not make the same mistakes again and lose their lives.

"People today have become so accustomed to the peaceful era that they take the stories of the past lightly. However, they must understand the value of peace."

Kuniyoshi emphasized the importance of learning from the past. Someone with life experience would probably agree with this, even if they are from the present, right?"Having become complacent in a peaceful era, they disregard the old..." Even now, there are probably many such people.

新しければ、飛びつく

人生経験が少ない時は、誰でもそのようにです

けど、　「・・・それだけしか見えてなかった」

気がつく時が、大人になった時かしら？

大人になるほどに「意味が見えてくるんが、伝統や歴史」

そうして、大人たちは、

今しか知らない若いもんに「今は分からんでも聞いとき！」

伝えて伝え続けてくれはった

今の子達は、大人の意見を聞いて、理解する子が増えたと思います

イケイケ社会でない現在にも １つの利点、でしょうか

"If it's new, I'll jump on it." This tends to be the case for anyone when they have little life experience. However, "...that wasn't always a good thing." As one grows older, "the meaning becomes clearer through tradition and history." Thus, adults have continued to pass down their knowledge to the younger generations who only know the present. And now we are here.

I believe that today's children are increasingly listening to and understanding the opinions of adults. A trend that did not exist in the bubble generation.

Perhaps this is one advantage in a recessionary society.

「安政見聞録」には、

江戸城の門が地震で破壊された様子も書きました

そこに難癖をつけた幕府が「発禁！」してしまい・・・

発刊から、たった二ヶ月後のこと

でも、主に国芳の弟子たちは、

幕府に、再び 風刺画で異を唱え続けたのです

気骨ある師の弟子も、気骨を見習ったのね！

頼もしい男たち

気持ちよろしいねぇ！

女かて、気骨はござる

「良い精神は持つだけでは不足、よく使うべき」

昔々の哲学者が、すでに言うてましたね！

"In the 'Ansei Kenbunroku',

it was written about how the gates of Edo Castle were destroyed by an earthquake. The shogunate, which took offense at this, imposed a ban on publication!

This happened just two months after its release. However, primarily the disciples of Kuniyoshi continued to express their dissent against the shogunate through satirical paintings.

The resolute disciples of a resolute master, trustworthy men who emulated his spirit. How delightful it is!

Even women have fortitude.

It is not enough to merely possess a good spirit; one should make good use of it!"